The Piano Sonata

The Piano Sonata No. 30 Op. 109 in E main from 1820 is the third to final of Ludwig van Beethoven’s piano sonatas. After the highly effective Hammerklavier Sonata op. 106, lengthy deaf, he returned with it to smaller dimensions and a extra intimate character. The sonata is devoted to Maximiliane Brentano, the daughter of Beethoven’s longtime pal Antonie Brentano. In 1812, Beethoven had already composed the little piano trio in B flat main, WoO 39, for her.
Musically, the three-movement work is characterised by a free use of the standard sonata type. His focus is on the third motion, a fancy set of variations as in op. 111.

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Origin story

The compositional beginnings of op. 109 might be traced again to the primary months of 1820. They preceded Beethoven’s negotiations with Adolf Schlesinger, the publisher of his final three sonatas. Latest analysis means that Friedrich Starke requested Beethoven to jot down a contribution for his piano anthology Wiener Pianoforteschule. Beethoven interrupted work on the Missa solemnis. In the end, nevertheless, he supplied Starke the Bagatelles op. 119, nos. 7–11.

Key

In the middle of music historical past, there was a lot hypothesis and philosophizing concerning the character of the person keys. It has usually been doubted whether or not the keys have any that means in any respect.
Nevertheless, particularly within the final three piano sonatas, which in a sure means might be thought-about a pianistic abstract of Beethoven’s world of concepts, the selection of keys is actually no coincidence, however well-considered.
This turns into clear when one recollects the position performed by keys in Beethoven’s solely opera, Fidelio. C minor and C main stand for evil and good, for tyranny and freedom, for darkness and lightweight, even for hell and heaven. As within the opera and even within the fifth symphony, Beethoven chooses these two keys in his final sonata, op. to defeat the evil on the planet and to create a world the place “all males turn out to be brothers”. The dedication of this sonata to Archduke Rudolph might even comprise a direct attraction to a political authority to assist a liberation motion.
Within the opera, A flat main is the important thing of Florestan languishing within the dungeon, with whom Beethoven presumably identifies within the A flat main Sonata op. 110. That is nearly compellingly advised by the easy undeniable fact that this sonata is the one one that doesn’t bear a dedication, i.e. that it stays fully in Beethoven’s possession and offers along with his very personal internal being.
Lastly, within the opera, E main is the important thing of Leonore, who escalates in heroic pathos of loving self-sacrifice within the E main a part of her nice aria. The concept of ​​salvation by way of the “eternally female” (Goethe) is actually additionally mirrored in Beethoven’s mysterious “immortal lover”. Towards this background, it could actually hardly be a coincidence that the Sonata op. 109, which is devoted to “Miss Maximiliana Brentano”, is in the important thing of E main.