Is Season 2 of ‘Picard’ any good? Paramount+ won’t let me tell you.

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I’ve seen the primary three episodes of Season 2 of “Star Trek: Picard,” and I’d like to inform you about them. Sadly, the parents at Paramount+ gained’t let me till Thursday at 1 a.m. MT, when their embargo lifts.

That’s additionally when Season 2 of “Picard” begins streaming.

This embargo appears fairly silly to me. It’s the form of factor folks do once they know that their program is dangerous.

I can’t inform you if that’s the explanation right here, due to the embargo.

I can inform you a number of issues. Patrick Stewart returns as Admiral Jean-Luc Picard, former captain of a few U.S.S. Enterprises (NCC-1701-D and NCC-1701-E). He’s joined by the supporting forged from Season 1 — Jeri Ryan as Seven of 9, Alison Capsule as Agness Jurati, Michelle Hurd as Raffi Musiker, Evan Evagora as Elnor, Isa Briones as Dahj, Orla Brady as Laris, Santiago Cabrera as Cristóbal Rios, and Brent Spiner as Information.

Wait, you’re saying. Information died, seemingly as soon as and for all, within the first-season finale of “Picard.” How is he again?

There’s a logical clarification. It isn’t even a spoiler, actually. However I can’t inform you what it’s due to the embargo.

(Trae Patton | Paramount+) John de Lancie as Q and Sir Patrick Stewart as Jean-Luc Picard of the Paramount+ unique collection “Star Trek: Picard.”

I can inform you that the all-powerful Q (John de Lancie) performs a major position in Season 2. (In case you had been questioning, Q beforehand appeared in eight episodes of “Subsequent Technology,” three episodes of “Voyager,” and one episode every of “Deep House 9” and “Decrease Decks.”)

I also can inform you that Whoopi Goldberg returns as Guinan. (She was in 29 episodes of “Subsequent Gen” and two films, “Generations” and “Nemesis.”) And the Borg Queen is again, performed by a distinct actress — Annie Wersching. (Alice Krige originated the position within the film “First Contact,” performed her within the two-part collection finale of “Voyager,” and voiced a holographic simulation of her in an episode of the animated “Decrease Decks.” Susanna Thompson performed her in three different “Voyager” episodes.)

(Nicole Wilder | Paramount+) Whoopi Goldberg as Guinan and Sir Patrick Stewart as Jean-Luc Picard of the Paramount+ unique collection “Star Trek: Picard.”

And it’s not a spoiler to inform you that — like lots of the greatest “Star Trek” episodes and films — Season 2 of “Star Trek: Picard” entails time journey. “Picard should enlist buddies each outdated and new to confront the perils of twenty first century Earth in a determined race towards time to avoid wasting the galaxy’s future – and face the last word trial from one in all his best foes.”

That’s direct from Paramount+. These aren’t my phrases.

Hey, I’m grateful to Paramount+ for sharing screeners. I’ve been and at all times shall be an enormous “Star Trek” fan, and I watched the primary three episodes of Season 2 of “Picard” simply as rapidly as I presumably might.

I want I might inform you about them. I REALLY want I might. (I’m making an attempt to make it so you’ll be able to learn between the traces, folks. Work with me.) Not that I wish to give something away — I hate spoilers — however to let you recognize if it’s value watching. — to do my job as a TV critic.

I’m not holding my breath, however I’m hoping that in some unspecified time in the future the parents at Paramount+ will rethink their embargo coverage.

http://tcmcards.com/product/1164/ Silver Spring “American Idol” (Sunday, 7 p.m., ABC/Ch. 4) • As soon as upon a time, this present was concerning the contestants, not a lot the judges. It was an enormous deal. Now it’s hardly a deal in any respect. The one folks actually fascinated about it are the contestants, their mother and father and their grandparents.

OK, that’s an exaggeration. However when was the final time anyone who was on this present — anyone who gained — turned even a minor star?

http://littlemagonline.com/exhibitions/exhibitions-diane-arbus-in-the-beginning-sfmoma-jan-21-april-30-2017/ • “Killing Eve” (Sunday, 7 p.m., BBC America) • The primary season of this collection was nice. They need to’ve stopped there. Sadly, they made three extra seasons, with diminishing returns.

We’re informed Season 4 would be the final, which is an effective factor. It might’ve been a significantly better factor if this had led to 2018.

• “Tremendous Pumped: The Battle for Uber” (Sunday, 10 p.m., Showtime) • The boardroom battle to regulate Uber doesn’t sound like scintillating tv, nevertheless it just about is. The struggle between CEO Travis Kalanick (Joseph Gordon-Levitt) and his mentor, Invoice Gurley (Kyle Chandler), is so loopy it looks like fiction … nevertheless it’s not.

The forged contains Uma Thurman as Arianna Huffington, Hank Azaria as Apple chief Tim Prepare dinner, Ben Feldman as Google cofounder Larry Web page, and Quentin Tarantino narrates.

“Tremendous Pumped” is an anthology collection that’s already been renewed for Season 2, which can give attention to Fb.

“The Dropout” (Thursday, streaming on Hulu) • Talking of stranger-than-fiction fact, this restricted collection focuses on Theranos CEO Elizabeth Holmes (Amanda Seyfried), who fooled lots of very sensible, very wealthy folks into investing in her firm and its phony medical expertise.

Curiously, they had been capturing the collection whereas Holmes was nonetheless on trial.

“Lucy and Desi” (Friday, streaming on Amazon Prime) • Amy Poehler directed this documentary (which premiered final month on the Sundance Movie Competition) concerning the private {and professional} lives of Lucille Ball and Desi Arnaz. It contains residence films and audio recordings of the couple, and is must-see for anybody who ever cherished Lucy.

‘He’s as good as anybody’: How Rudy Gobert got the best of Luka Doncic

Estimated learn time: 3-4 minutes

SALT LAKE CITY — Luka Doncic had already gotten the perfect of Mike Conley repeatedly and had left Royce O’Neale caught on screens for a lot of the evening.

So when Dallas Mavericks coach Jason Kidd noticed the Jazz swap Rudy Gobert onto his celebrity late within the sport, he was all smiles.

Doncic, in spite of everything, is without doubt one of the most deadly offensive threats within the sport — a participant that Jazz coach Quin Snyder needed to cease himself from persevering with to call all of the issues that he can do on the court docket. And he was up in opposition to a man whose notion across the league says he cannot guard on the perimeter.

“That is to our benefit,” Kidd mentioned, following the sport.

However was it?

For seven minutes, Gobert switched onto Doncic and usually stopped him. The Mavericks, who as much as that time had been practically unstoppable, had been held to simply 10 factors in these minutes because the Jazz got here again to win the sport.

In a sport that was extra of a chess match than any regular-season sport deserves to be, Gobert performed the position of a do-it-all defensive menace that was nearly in every single place. Isolation in opposition to Doncic hardly ever ends properly for anyone; however for seven minutes, Gobert did not simply maintain his personal in opposition to a no-doubt top-5 offensive expertise, he gained the Jazz the sport.

Snyder mentioned the choice to make use of Gobert in opposition to Doncic late was read-based. He mentioned the crew’s common drop-big protection had made the crew too passive and had allowed Doncic to get to his spots, which in flip acquired the Mavericks too comfy.

So the Jazz switched decide and roll extra within the second half. Dallas countered by attempting to get Gobert matched up with Doncic.

“When he is switching, he is nearly as good as anyone standing in entrance of guards,” Snyder mentioned of Gobert.

Friday proved that.

Because the clock ticked below seven minutes, Gobert switched onto Doncic for the primary of many possessions down the stretch. Doncic tried to drive however ended up being caught below the basket. Unable to discover a shot, he was pressured to offer the ball away because the shot clock wound down, which led to a turnover.

That was the start of the sport throughout the sport that determined Friday’s sport.

“He is aware of I am attempting to remove his stepback,” Gobert mentioned. “After which he is driving and I do know he will attempt to use my physique after which cease, so I’ve acquired to remain balanced and soak up the contact. After which he will try to get me within the air, so I’ve acquired to remain down.”

Doncic wasn’t held scoreless — he had 8 factors within the ultimate minutes; and Gobert wasn’t good and allowed an open 3-pointer when he dropped again an excessive amount of. However for essentially the most half, Gobert managed the sport defensively when he was matched up with the Dallas celebrity. He stopped Doncic’s drives and even had an empathic block within the ultimate minutes.

“Rudy did a fairly good job on him, staying in entrance and making him take powerful photographs,” Bojan Bogdanovic mentioned.

“We simply trusted within the huge fella and we stayed house,” added Donovan Mitchell.

To Doncic, nonetheless, Gobert’s defensive efficiency wasn’t with out controversy.

“I just like the matchup. I acquired fouled, he did not name it,” Doncic mentioned. “I do know the ref, he would not like me.”

On two drives down the stretch, Doncic turned to the ref and overtly puzzled the place the whistle was.

Gobert’s response?

“I am not a ref. It was a bodily sport,” Gobert mentioned. “Luka all the time pushes, so if they don’t seem to be going to name that, then they should not name anything.”

And as for the notion — Doncic and Kidd appear to agree with it — that he cannot guard on the perimeter, Gobert mentioned: “The notion has by no means matched the numbers.”

The numbers had been on full show Friday.

Extra tales you could be all in favour of

‘Being a woman of color’ in the arts isn’t easy, two sisters say. They want Ogden’s Good Company Theatre to be different.

Ogden • Think about strolling into your favourite espresso store or bar. That’s how Camille and Alicia Washington need you to really feel whenever you come by means of the doorways at Good Firm Theatre.

“It’s not pretentious. It’s approachable,” Camille stated, and “feels such as you.”

The humanities world hasn’t all the time been “accommodating” or “welcoming” to Alicia or her sister, “being a lady of shade,” she stated.

However they need their theater — the one Black-owned theater in Utah — to be a secure place for audiences and artists “to hone their craft and to take dangers that possibly they’ve been disempowered to take different locations,” they stated.

Now getting into their tenth 12 months of working Good Firm Theatre, Alicia, 37, and Camille, 38, are excited to welcome again audiences this spring, after months of unconventional productions through the coronavirus pandemic.

They started the 12 months with Tennessee Williams’ “The Two-Character Play” which delves right into a brother and sister’s struggles with psychological sickness.

“Tennessee Williams says it’s his most autobiographical play,” stated Teresa Sanderson, 61, of Layton, who directed Good Firm’s model and who’s identified Alicia since she was an adolescent.

The best way Alicia and Camille see it, the humanities “ought to all the time be adapting” and rising. Their present season runs by means of Could, with Siena Marilyn Ledger’s “Man and Moon” and Charly Evon Simpson’s “it’s not a visit it’s a journey,” exploring problems with race, friendship and identification.

“It’s all the time been essential to us,” Camille stated, with the reveals we do, “to be aware of the occasions, our experiences, our location.”

(Leah Hogsten | The Salt Lake Tribune) Good Firm Theatre acress Natalie Keezer performs “Clare” and Jesse Nepivoda performs “Felice” through the theatre’s manufacturing of Tennesee Williams’ “The Two-Character Play:, Feb. 4, 2022, in Ogden.

A dream in a espresso store

The thought for Good Firm lived in Alicia’s thoughts for years earlier than changing into actuality in 2012. When she used to work at Grounds for Espresso, Alicia stated she informed everybody who got here in that she was an actor who would sooner or later run her personal theater firm.

Later, Alicia known as Camille, asking if she thought this dream was attainable. With Camille’s assist, they began taking steps.

Coming from a efficiency background, Alicia knew find out how to discover folks and placed on a present, whereas Camille, who had labored extra on the humanities administration aspect, targeted on making use of for grants and creating a mission assertion.

The sisters, who’re 18 months aside, have “nearly like an onstage/backstage type of dynamic,” Camille stated. The older they’ve change into, the extra they realized how ”we complement one another,” she stated.

“We annoy one another at occasions, for certain. That’s by no means going to go away,” Alicia stated. “However we’ve all the time deeply revered and supported one another immensely.”

(Leah Hogsten | The Salt Lake Tribune) Good Firm Theatre’s co-directors and sisters, Alicia, left, and Camille Washington, run the one Black-owned theater in Utah

Good Firm’s first dwelling was in a 1,200-square-foot area on twenty fifth Road, above an grownup novelty store. It had a “crumbling infrastructure,” Camille stated, and “our swamp cooler leaked on the viewers.” The sisters had to determine “find out how to block actors throughout their breaks,” Alicia stated, so they may get to their one rest room, positioned on the alternative finish of their small dressing room.

The 2 placed on 25 productions in that first area earlier than transferring 5 years in the past to their present – and far greater – two-story location on Wall Avenue. Collectively, they remodeled the previous display print store right into a theater, putting in audio system and a lighting grid, portray the stage and reducing by means of a concrete wall downstairs to make a go for actors.

“I undoubtedly painted these flooring,” Camille laughed, pointing down on the blue-gray floor.

“I are available sooner or later and she or he has a hammer and chisel, and she or he’s chiseling out the tile,” Alicia added. “I’m like, ‘What are you doing?’ She’s like, ‘I hate the tile.’”

“There’s a number of us in” Good Firm, Camille stated. “Our handprints are throughout this place.”

Camille took all of the images hanging on the partitions within the foyer from their previous performs – apart from the picture of a lady behind the concessions stand. That’s Veronica Washington, Camille and Alicia’s aunt, who left her nieces cash after she died that helped get the theater off the bottom.

“She’s our patron saint right here,” Colleen Washington, Alicia and Camille’s mom, stated, smiling.

Washington, 73, of Ogden, is repeatedly within the foyer along with her daughters throughout their reveals, and she or he watched as they bought prepared for the Feb. 4 manufacturing of “The Two-Character Play.”

“I feel each mum or dad desires to see their youngsters doing what they like to do,” she stated. “They usually love doing this.”

(Leah Hogsten | The Salt Lake Tribune) Good Firm Theatre’s co-director Camille Washington greets patrons and serves snacks and drinks through the manufacturing of Tennesee Williams’ “The Two-Character Play.” Feb. 4, 2022, in Ogden.

‘What theater might be’

It wasn’t till in all probability the previous few months that Alicia stated she acknowledged, whereas speaking with Camille, how “my first huge step into theater” was marred by “racist undertones, to be fairly frank.”

Rising up in Layton, Alicia auditioned for the spring musical “Oklahoma” when she was in seventh grade. To arrange, she studied “Saturday Evening Reside” skits of Gilda Radner performing Roseanne Roseannadanna along with her mother and sister, earlier than deciding on The Queen Of Hearts’s “Who’s Been Portray My Roses Pink?” from “Alice in Wonderland” for her audition monologue.

When Alicia was forged as Aunt Eller, there was nearly instant pushback from dad and mom, who used a derogatory time period for an individual of blended race to argue that the character needs to be performed by somebody who’s white, she stated, “clearly making race a problem.” The director stood by Alicia, telling the dad and mom that “she forged me in a task that she noticed me in.”

“That was my first style of the ‘the nice white means,’” Alicia stated.

And of “what was to come back,” added Camille, who was on the stage crew for that faculty musical.

(Leah Hogsten | The Salt Lake Tribune) Good Firm Theatre’s founder and co-director Alicia Washington welcomes patrons for the manufacturing of “The Two-Character Play” by Tennessee Williams, Feb. 4, 2022, in Ogden.

At Good Firm, Camille and Alicia needed “to have a spread of productions that have been extra modern” and allowed for extra “numerous casting,” they stated.

On the corporate’s web site, the Washingtons state their casting philosophy: “We search to honor the intentions of the playwright as offered within the script. If the playwright solely provides basic character traits, or doesn’t checklist something in any respect for a particular position, Good Firm Theatre won’t assume the neutrality of a sure particular person or sort over others when casting. …

“We welcome all to audition, no matter race, ethnicity, gender, age, skill, or another bodily attribute.”

Alicia stated, “We confronted our personal boundaries being in visible arts after which theater alongside the years, of individuals placing upon me how they wish to expertise or see theater, versus unlocking what theater might be.”

She remembers going to a casting name in New York when she was older for Lin-Manuel Miranda’s musical “Within the Heights.” Trying across the room, there have been eight different girls, “and all of us type of appeared the identical,” she stated.

“That was actually affirming, going again to the “Oklahoma second”, the place I used to be Aunt Eller, and I stood out,” Alicia stated, “whereas … all the pieces about me was being embraced on this explicit second.”

In a play collectively

There may be little or no that separates the viewers from the actors at Good Firm Theatre. It’s a black field theater, with rows of black chairs wrapping intently across the stage in a U-shape.

On the Feb. 4 manufacturing of “The Two-Character Play,” viewers members sat so shut that they may see the tears roll down actor Jesse Nepivoda’s cheeks in an emotional scene.

At certainly one of their first reveals on Wall Avenue, “we had an viewers member come out,” Alicia stated, “and be like, ‘I can’t actually get into it.’” The person felt “actually postpone” seeing the viewers members sitting throughout from him and stated, “I discover myself watching their reactions.”

Alicia recalled that she informed the person, “as an alternative of feeling such as you’re on show, I encourage you to consider your self as … the collective,” experiencing the play collectively. Possibly that may make him extra snug through the second act, she stated.

(Leah Hogsten | The Salt Lake Tribune) Patrons to Good Firm Theatre stretch their legs at intermission through the theatre’s manufacturing of Tennesee Williams’ “The Two-Character Play,” Feb. 4, 2022, in Ogden.

“He got here out,” Alicia stated, “and he was like, ‘I did that. I like the present. I didn’t notice that it was OK that they have been watching me, or I used to be watching them, as a result of we have been in these moments along with the actors.’”

Alicia then caught herself, including, “I’m certain he didn’t use moments. That’s such a theater factor to say,” she laughed. However that state of affairs captures how folks can attempt new issues and be weak at Good Firm, she stated.

Alicia and Camille needed to get artistic and take a look at new issues themselves when the coronavirus pandemic started in 2020. They began the Window Seat Classes, the place performers might keep secure inside whereas placing on a brief present by means of huge home windows for an viewers seated outdoors, with the sound piped out onto the sidewalk.

Then they moved totally outdoors, placing on ”Catharsis Two”, a musical political satire, from their car parking zone, nonetheless with distanced seating. And final fall, they moved productions again inside, with “Fremont Junior Excessive Is NOT Doing Oklahoma!,” requiring viewers members to put on masks and present proof of vaccination.

The uncertainty and stress of working a theater throughout a pandemic has solely made it “clearer how a lot that is … our identification,” Alicia stated, and the way the sisters present up for his or her group.

Tickets

“Man and Moon” runs March 24 by means of April 10, and “it’s not a visit it’s a journey” runs Could 5 to 22 at Good Firm Theatre, 2404 Wall Ave. in Ogden.

Tickets are $25 for basic admission and $17 with a sound pupil ID on the door. Go to www.goodcotheatre.com.

Face masks and proof of COVID-19 vaccination are required to attend. Extra data is obtainable at goodcotheatre.com/covid-19-policy

(Leah Hogsten | The Salt Lake Tribune) Patrons enter Good Firm Theatre to see “The Two-Character Play” by Tennessee Williams, Feb. 4, 2022, in Ogden.

Becky Jacobs is a Report for America corps member and writes in regards to the standing of ladies in Utah for The Salt Lake Tribune. Your donation to match our RFA grant helps hold her writing tales like this one; please contemplate making a tax-deductible reward of any quantity right this moment by clicking right here.